Books and Anthologies

Wilder, winner of the 2018 Lindquist & Vennum Prize for Poetry, is now available for pre-order at any of the following places: Milkweed Editions, Indiebound, Barnes & Noble, and Amazon

Night Vision, winner of the 2017 New Michigan Press/DIAGRAM chapbook contest, is now available for purchase. Read reviews
here and here.

“Lullaby” featured in New Poetry from the Midwest 2017



“Aftersky,” Bomb Cyclone (forthcoming)

“Where I Went Afterward,” Foundry (forthcoming)

“D,” “G,” Fairy Tale Review (forthcoming)

“Fuse,” Anthropoid (forthcoming)

“The Carrion Flower,” Winter Tangerine (forthcoming)

“Beginning,” DIAGRAM (2018)

“[We grow up frozen],” “[The ocean calls],” “[we had a taste for error],” “[an alien general],” “[the world is very distant],” “[aeons have made us utterly extinct],” Saltfront, 2018

“Reap,” “The Clue,” “Beasts,” “Night Vision,” Paperbag, 2017

“The Last Animals,” Glass: A Journal of Poetry, 2017

“Relaxation Tape,” “Relaxation Tape,” PANK, 2017

“Descent,” “Simon Says,” Bennington Review, 2017

“Plummet,” “The Witch,”What Rough Beast (Indolent Books), 2017

“Answer,” Birdfeast, 2017

“Beast & Master,” “Mausoleum,” Memorious, 2017

“Afterbodies,” “Breach,” “Termination Shock,” “State of Emergency”, The Collapsar, 2016

“Nativity, Redshift,” “Redmouth,” “The Next World,” Bateau, 2016

“Bog Body,” “The Pit,” Newfound, 2016

“No Stars,” “Almanac,” Fog Machine, 2016

“The Jellyfish,” “Misery Rift,” DIAGRAM, 2016

“How I Dreamed There,” Queen Mob’s Teahouse, 2016

“Given,” “Lullaby with Daughter Cells,” The Kenyon Review Online, 2016

“Breach,” “The Lodestars,” Handsome, 2016

“At the Airfield,” “Relaxation Tape,”“The Factory,” “Raptor,”TXTOBJX, 2016

“Prayer Sequence,” Third Coast, 2016

“Relaxation Tape,” Elsewhere, 2016

“Theory of Desire: Blueshift,” “Theory of Flight: Condor,” “Theory of Surrender: Gravity Well,” Sugared Water, 2016

“Fallow,” Best New Poets 2015, 2015

“Splashdown,” “Splashdown,” “On Making One’s Passage in the Dark,” “Firebreak,” Connotation Press: An Online Artifact, 2015

“Exploding Head Syndrome,” BOAAT Journal, 2015

“Diamond Dust,” “Dover in November,” “If Gravity,” Tinderbox Poetry Journal, 2015

“Descent,” “Personal Ruin,” The Journal, 2015

“Quarry,” “Sackcloth,” Parcel, 2015

“Theory of Resurrection: Thaw,” “Post-Crash Beatitude,” The Blueshift Journal, 2015

Isti Mirant Stella,” American Arts Quarterly, 2015

“Fallow,” “Road, Winter Solstice,” 32 Poems, 2015

Meltwater,” “Fissure,” “Winter Field,” “Parallax,” “Absolute Zero,” “The Snow Reckoner,” Unsplendid, 2015

“My Life as a Nightjar,” “The Road is a Whip,” “Sirius,” The Boiler, 2015

Pastoral with Children and Foxes,” “Frontier,” “Lullaby,” Waxwing, 2015

A Great Many Signs of a Very Bitter Cold to Come,” Memorious, 2014

Glitch,” republished on Verse Daily, 10/8/2014

Theory of Primogeniture: Barn,” Mid-American Review, 2014

“The Hazelnut,” CALYX, published online 9/11/2014

Post-Crash Beatitude,” BODY, published online 2/4/2014

“Saturn,” “The Blessed Virgin Mary,” “Glominite,” Measure, 2014

Personal Ruin,” republished on Verse Daily, 1/28/2014

“Glitch,” “Six-Fifteen,” The Cincinnati Review, 2014

“Monterey Bay,” “Elegy with Fireflies,” Poetry Northwest, 2013

Personal Ruin,” 32 Poems, 2013

Rooms, Atoms,” Rattle, 2012

Homecoming,” “Attirement of the Bride,” Unsplendid, 2012

“North,” “Family Portrait: Red Square,” “Postcard from the Great Wall,” The Carolina Quarterly, 2011

Dover in November,” The Cider Press Review, 2010


Reviews, Prose Features, Multi-Media

“Personal Ruin,” read by Jenna Vagle, as part of MSU-Mankato’s National Poetry Month Video Project, 2016

“The Swerve”: G.C. Waldrep’s “Sacred Harp Convention as Dream Figure,” 32 Poems, 2015

“Forms of Surprise,” The Writer’s Block, 2015

Reviews for SCOUT

Review of Valerie Wetlaufer‘s Mysterious Acts by My People, Quarterly West, 2014

“Asking for the Moon”: James Henry Knippen’s “Moon,” 32 Poems, 2013



Author Q&A up at Tell Tell Poetry

Author Q&A up at Tethered by Letters

Two part interview with Melanie McCabe, Cincinnati Review, 2014: Part 1 & Part 2